Even though I have pretty much embraced the concept of digital photography, there’s still a place in my heart for all things film. This comes from my high school days when I started taking photo classes in 10th grade and continued with a few courses in college as well as occasionally processing my own film at home.
In fact, I taught Ann all there is to know about doing that. I had (and still have) everything I need to process my black-and-white film at home. There’s just something special about shooting a roll of Tri-X loaded from a bulk film roll and loaded into a canister that will pop open if you drop it on the floor. The process of transferring the film in the changing bag – it’s like feeling your way around a pitch-black room but with more cussing – and onto a reel then into the developing tank takes time but is worth the effort.
Then the fun part of getting your chemical-to-water ratio and temperatures just right kicks in. Once they are, it’s time pour them into the tank then agitate and tap the tank to get rid of the bubbles. The process is repeated for the fixer.
So yes, I know a bit about photography. It’s something that never leaves you.
I also still have all of my 35mm cameras, an enlarger with lenses as well as a printing easel and contact printer in my garage that I just can’t seem to part with. I don’t think I ever will.
It was while cleaning the garage last week when I came across a set of large-format negatives that I bought at a yard sale while still in high school. I know it was high school because I remember making contact prints of them that I would have loved to scan and show off here but they were nowhere to be found and by now, no doubt damaged after almost 25 years of being stored in a box somewhere.
But I decided to try something.
Through trial and error, I was able to get decent scans of the best negatives in the bunch by placing them face-down in my scanner, putting a piece of glass over them, then backlighting them with an LED flashlight off to the side. Primitive, but decent quality at 600 dpi (but shown here at 300).
Here are the results with some adjustments made in Photoshop (contrast and dodging and burning but no touch-ups). Click on each one to see a larger version.
I found it ironic that the best photos were of this Harley-Davidson motorcycle that was presumably used to deliver photos around the town of Beaver Falls, PA. (How do I know the location? Or that the bike is a Harley? You’ll see later.) I really dig the hand-painted Reynolds Kodak Finishing logo as well as the old Mobiloil “Genuine Gargoyle” sign in the background on the left.
Here’s the right side of the motorcycle.
This guy was a Qualex delivery guy before he even knew what Qualex was.
Ah, so it is a Harley-Davidson. See? It says so on the gas tank. And what’s cool about this photo is if you look over the handlebars, you can see the head and shoulders of a novelty Bibendum or as you young punks might know him, The Michelin Man.
I get the feeling that this was the delivery vehicle the motorcycle replaced. Perhaps it was costing too much to get the tires revulcanized.
It seems we’ve left Beaver Falls and made our way to Chestnut Ridge. I don’t know who these guys were or why they were mixed in with the bunch of negatives I purchased, but I do know one thing: I sure as hell wouldn’t have messed with them.
There are still a few more negatives to scan but because of their quality, it’s going to be difficult to get a nice, quality images so I’ll leave it with what I’ve got here. I hope you enjoyed them and if you have any information about any of them (era, better idea of location, etc.), please feel free to post in the Comments section.